neither devils nor divines
witless art blogger with an unfortunate aversion to people, places, and things

leprincelointain:

William Daniell (1769-1837), Eddystone Lighthouse, During a Storm.

fabio-marigo:

"We are the dead"

2011 - tecnica mista su carta

colin-vian:

  Richard Cartwright - The Scented Path, oil on panel

3liza:

Detail of “Pan”
1898
Sydney Long (Australian)

(Source: mererecorder)

labellefilleart:

Woman Reading Seen in Profile, Edgar Maxence 

artmastered:

Isabella Watling, Gina and Cristiano, 2014, oil on canvas, [no dimensions], currently on display at the National Portrait Gallery, London.

This was my personal favourite from this year’s BP Portrait Awards. I love everything about it: the figure’s tall, dark form; his outstretched hand; that gorgeous white dog; the glint from the gentleman’s earring; and his slightly tense, yet accepting, expression. Anything that alludes to the work of the Old Masters is going to be good in my eyes! You can’t look at this painting and not think of Van Dyck or Gainsborough or Reynolds.

amare-habeo:

George Popoff (Bulgarian, XXth centuary)

Repentance, 1930

16chakras:

"Visitor to a Moonlit Churchyard" by Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)

templeofapelles:

Guillermo Lorca Garcia Huidobro